Abstract
This test gives to account presence of the camp phenomenon as aesthetic manifestation in the Strep tease poem to Argentine writer Néstor Perlongher. This aesthetic manifestation appears as an againstspeech in front of the speeches of the normative thing and the allowed thing to give account of a way to be and to feel through the writing. The relation was taken for the analysis of the poem that can be established between semiotics signs and through which a sintagmatic updates a paradigmatic as relations pertaining to multiple semiotics systems. The reason of making this analysis is the one of being able to demonstrate how the ideologies and in this case, specifically, the vision of the world of the ample fan of generic possibilities that are pronounced they have been pronounced, through the writing, in front of the denominated speech to gender.